Once A Boy

I regard this as one of my best songs, although it is a little painful for me to listen to. At the end of the 80s we were just starting to recognise the extent in our communities of child sexual and physical abuse. This song is based on no one person in particular – but my own memories, and incidents and events from the lives of children I was working with at the time. I was seeing firsthand the damage and ripple effects it could cause at the same time as seeking to understand how growing up gay in a homophobic environment had directed and coloured my own life. I hadn’t hurt people in the overt way of the children in my care, but in other ways? I wasn’t so sure.

Listening back at the song, I feel it is technically quite impressive. I can remember the care and precision that went into the writing, and for once I am happy with my vocal performance. The production, as ever, is limited by experience and equipment, but it achieves its goals.

As you can probably tell I am proud of this one!

Voice

This was written as part of a song-writing project at Exeter Arts Centre, collaborating in this instance with Chris (? – not sure of the surname now …). 

I had a surdo (brazilian samba drum) and wanted to do something different with it. I improvised the words while we played around with the rhythm, and found myself writing about a very dark period in my life, ten years or so earlier, when I lost my will to live. Thankfully some truly amazing friends were there to carry me when I couldn’t walk, and encourage me to stand again.

Dedicated to the wonderful Stuart Lindeman, without whom I’m not sure I’d be here today.

Tales Of Love

Not certain of the date on this one – mid 90s I think. It’s about a relationship ending that was just SO disappointing – I was as puzzled and dazed as I was hurt. This song came a couple of years after the event, and although it sounds like I was feeling very cynical and bitter, all I remember was what a good time I had writing and recording this! It pulled together events from 1991 (Exeter) and 1977 (Johannesburg) and playing it back now serves as a good reminder of both of those times.

Every word of this is true, in its own way …

Elemental 2017

Suzy Johnson and I recorded the original ‘Elemental’ in 2005 as a birthday present for Mike, Suzy’s partner. Whilst the original version had its charms I felt it needed … revisiting. 

My aim was to soften the dance beat and lift the vocal a bit, making the whole song much more focussed on Suzy’s wonderful vocal, with light and space to breathe. The result is a somewhat mushy synthy pop song – the sort of thing I don’t normally do, but have nevertheless thoroughly enjoyed, both the first time round when recording with Suzy, and this time round, just doing a  quick, but I think effective, remix.

Music From Holy Vale

Dawn’s Magic
The Meaning Of Light
Rain Patterns
Waterfalling
Regeneration
Island Heart
Time Will Bring The Sea
Music For Holy Vale
Island Heart (Vocal Version)
In Green

An hour long suite inspired by the elm wood at holy vale on the isles of scilly. Created with mandolin, recorders, piano, percussion and voice, and enhanced by birdsong from holy vale, and careful use of electronic keyboards and reeds.

Originally released on compact disc in may 1999. I still have a few copies left – if you would like one, let me know and ‘Buy Me A Coffee’ below to cover postage and packing.

I first experienced the wood at Holy Vale in the spring of 1995. I was immediately overwhelmed by the atmosphere, and sense of deep mystery and stillness that seemed to pervade the place – as wild and dense as the exquisitely twisted and gnarled trees themselves.

I find it hard to explain its hold over me – something about the absolute silence of the place when just a few miles in all directions around lies the awesome force of the sea.